Portraits
The story of me and what I know is the story of seeing a visual idea of things most people have never take the time to see this is the story of Portaits a ladder of understanding a story of people who have been 800,000 years of developmental art. This just doesnt expand the idea of art but the conclusion of where art started.
This place is not wholesome for us it says... its awful we cant breathe without the story of the story of rocks and people the Nabatean want to celebrate are heard. Were just people who want the different life.
Taken from a Audio Transcription - This rock faces the west and it's the main wall in Wadi Rum Village. I'm looking at a man who seems to have a rock tool used for rock shelving to help create artistic works. Very done well and the system of pattern is parchment which is about placement of stories that create a visual learning apparatus. It tells you the completed formulation of the person and how they feel versus the person they are hearing versus what they're trying to say versus the You zoom in the one on the left that I'm speaking of here. This seems to be a sequential formula related to the navatine. I'm looking on the one on the left side of the person's head. This has to do with something more scary as if they're offering scary ideals and their persona here about what they're seeing versus saying things want to comment is on the right side in the white not necessarily overlapping the head and it's saying ooh and this is a fragment of what we see and part of the face and part of the algorithm. The procession here leads left side of the face a person with his hand saying I don't understand as this is their compliment of things that they face every day and this is their attitude towards us. So their face reflects the attitude of things. Bottom left of the portrait seems to be a man and then some words about perfection. And this is something they are saying they are good at perfection but they're saying to come back to this is just a part of it. not showing you everything. And the tool and the person checking in on a tool is a resemblance of the person here at the foot of something being said here about them feeling that they have to raise them. And the person looks similar. And they seem to be watching the epiphany of these things. And and this seems to be how they are speaking about things that they don't see that are wholesome. Anything above what you do outside of the tools and things you create are perfected, not a problem. So things above this, no. The tropism of the image to the right of this is I believe the Egyptian configurement which is more complicated because they're writing about themselves and they're commenting about things that they learned about the Navajian saying animal and and things that create problems and children and and and men and We like to point out something over all this. This is way over comes from above the head and it's like a person pointing to the left. This is a judgment about something We've been observing and they're saying it's just now that we are forming words around ourselves after they're putting pictures of things when they first eons of celebrations questions. And they go into the Egyptian form more. We used to talk about deities and formation of ideology of looks and pronouncing ideals. They in response of their own character are quite proud as if they see things quite well. But on the other hand, in a shape and form that is more masterful and between the left side and the right side is something to say. Haven't figured this one out. But at the bottom of this is a strong signaling of indifference that seems peaceful on this side versus I think maybe what they're facing and this is something in between them that seems to be Maybe maybe allowing them to become something they don't like to see. Maybe there's a lot of images here. There's like 100 in this image graph about this Egyptian Egyptian ideas they're feeling here. overall context around this is about administration and wild works of what's going on here. And this is the main one. I feel like they're socializing and complaining because it's on the center wall here. Image to the left of the navatine seems to be concentrated about a willing behavior to understand and with an association of the words and the character and images it shows. No problem here. They say There's a large tree in my image here that I'm using. I cannot see behind. If I go in the center between Nabatean and the Egyptian, there's a person pointing. Person pointing looks like through to a Point saying this is Egyptian. Then the image behind this person I was pointing is Egyptian pointing to the image that is Egyptian. Most of the fluid points here in artistice of this is that They seem to be showing a noggin and complaint a rock hard zone in between, but they're still showing what I feel like is something that's butdding up against them, like another face, like something that's pushing them almost to a point that you cannot see, they cannot breathe in the formation of what they're seeing. As if this person has pushed themselves so close to them, they cannot even see the nose in front of them. And I point this out as a clue to Egyptian behavior and nose that noses that are missing.There are more steps here, more information, more momentum that talk about that in the future. And There is a a ghouly topformational person at the very top that says death. And it says that if we cannot see what this is. I think this means most inherently this is death and they don't want death. I think they want to live and this is why they're here. This is why the civilization has chosen a a meeting point to create this. They've been doing it past the ideas who they are for so long. It's just such a a gravitated annoyance to understand the separation of people between the left and right here and where they are.